Deep Blue Sea (1999) Full Movie Streaming

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Becomes clear total description of Deep Blue Sea below:
  • Original Title : Deep Blue Sea
  • Movie title in your country : Deep Blue Sea
  • Year of movie : 1999
  • Genres of movie : Action, Science Fiction, Thriller,
  • Status of movie : Released
  • Release date of movie : 1999-07-28
  • Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
  • Countries of movie : Australia, United States of America,
  • Language of movie : English,
  • Durationof movie : 105 Min
  • Average vote of movie : 5.6
  • Youtube ID of movie : gpdab_bi2HY
  • Translation of movie : BG,CA,CS,DA,DE,EL,EN,ES,ES,FR,HE,HU,IT,JA,KO,NL,PL,PT,PT,RO,RU,SV,TR,UK,ZH,ZH,
  • Actors of movie :Jacqueline McKenzie (Janice Higgins), Sabrina Geerinckx (Girl #2), Eyal Podell (Boy #1), Erinn Bartlett (Girl #1), Aida Turturro (Brenda Kerns), Frank Welker (Parrot Noises (voice)), Daniel Rey (Helicopter Pilot), Dan Thiel (Boy #2), Thomas Jane (Carter Blake), Valente Rodriguez (Helicopter Co-Pilot), Samuel L. Jackson (Russell Franklin), Saffron Burrows (Dr. Susan McCallister), Michael Rapaport (Tom "Scoggs" Scoggins), Cristos (Boat Captain), Tajsha Thomas (Friend of Janice), Stellan Skarsgård (Jim Whitlock), LL Cool J (Sherman 'Preacher' Dudley), Brent Roam (Helicopter Winch Operator)
Bigger. Smarter. Faster. Meaner.

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Deep Blue Sea is the most well liked movie provided by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, working with a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best ear busting sound quality and greatest starring actors.

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Producer : Don MacBain, Assistant Director : Thomas J. Mack, Prosthetic Makeup Artist : Chad Atkinson, Producer : Alan Riche, Casting : Christine Sheaks, Transportation Captain : Hugo Chew, Visual Effects : Joshua I. Kolden, Color Timer : Dale E. Grahn, Sound Re-Recording Mixer : John T. Reitz, Grip : Gustavo Covarrubias, Assistant Costume Designer : Karla Stevens Flanigan, Additional Music : Michael Jay, Digital Effects Supervisor : Simon Giles, Construction Foreman : William Apperson, Makeup Artist : Allan A. Apone, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Visual Effects Supervisor : Jamie Dixon, Digital Compositors : John Rauh, Makeup Department Head : Jeff Dawn, Art Direction : Andrew Rothschild, Electrician : Matt Buchan, Screenplay : Donna Powers, Visual Effects Producer : Thomas Boland, Unit Manager : Rafael Cuervo, Set Medic : Sarah Catizone, Production Sound Mixer : Tim Cooney, Visual Effects Supervisor : Rebecca Marie, Projection : Tom Ajar, Art Direction : Héctor Romero, Still Photographer : Merie Weismiller Wallace, Visual Effects Supervisor : Jerry Pooler, Boom Operator : Todd Bassman, Visual Effects Supervisor : William Mesa, CG Supervisor : Douglas R. MacMillan, Gaffer : Mick Morris, Production Office Coordinator : Francis Meade Warner, Executive Producer : Jonathan Schwartz, Animation Supervisor : Ken Stranahan, Location Manager : Michael John Meehan, Assistant Sound Editor : Catherine Calleson, Supervising Art Director : Bruce Crone, Set Designer : Bill Taliaferro, Visual Effects Producer : Kristen Branan, Original Music Composer : Trevor Rabin, Camera Operator : Phil Pastuhov, Driver : Rick Kelleher, Visual Effects Editor : Kevin Clark, Orchestrator : Tom Calderaro, Editor : Frank J. Urioste, Assistant Art Director : Nick Navarro, Associate Producer : Thomas J. Mack, Executive In Charge Of Production : Mark Scoon, Animation : Julie Nelson, Steadicam Operator : Mark Emery Moore, Key Hair Stylist : Peter Tothpal, Costume Design : Mark Bridges, Assistant Art Director : Ligia Ornelas, Production Supervisor : Anna Roth, Visual Effects Producer : Heather Smith, Screenplay : Wayne Powers, Production Accountant : Armando Amador, Director : Renny Harlin, Visual Effects Editor : Steve Shaw, Best Boy Electric : R. Gern Trowbridge, Production Design : William Sandell, Second Unit Cinematographer : Gary Capo, Property Master : Jerry Moss, Producer : Akiva Goldsman, Utility Stunts : Joey Box, Property Master : Eric J. Bates, Construction Coordinator : Gary Deaton, Executive Producer : Bruce Berman, Mechanical Designer : Larry Cheng, Camera Operator : Marc Spicer, Special Effects Supervisor : John Richardson, CG Supervisor : John E. Sasaki, Visual Effects Editor : Scott Balcerek, Producer : Tony Ludwig, Set Dressing Artist : Chris Adams, Animation : Bruce Pearson, Screenplay : Duncan Kennedy, Rigging Grip : Jonas Juhanson, Set Designer : Javier Nava, Storyboard : Gary Damian Thomas, Visual Effects Coordinator : Jack Geist, Set Designer : Karl J. Martin, Video Assist Operator : Jeff Burrage, Hairstylist : Robert L. Stevenson, Supervising Art Director : Mark W. Mansbridge, Foley : Catherine Harper, Costume Supervisor : James W. Tyson, Leadman : Russell R. Anderson, Sculptor : Jim McPherson, Dialogue Editor : John F. Reynolds, Stunt Coordinator : R.A. Rondell, Supervising Sound Editor : J. Paul Huntsman, First Assistant Camera : Frank Flick, Aerial Coordinator : David Paris, Art Department Coordinator : Beth Bajuk, CGI Supervisor : Serge Sretschinsky, Visual Effects Producer : Scott Dougherty, Sound Recordist : Rick Hromadka, Assistant Art Director : Jonathan McKinstry, Production Manager : Anthony Franco, Production Design : Joseph Bennett, Lighting Technician : Bruce Sharp, Special Effects Coordinator : Sergio Jara, Music Editor : Dick Bernstein, Director of Photography : Stephen F. Windon, Unit Publicist : Peter J. Silbermann, Supervising Sound Editor : Robb Wilson, Sound Effects Editor : Andrew Somers, Underwater Camera : Pete Romano, Script Supervisor : Kelly Moon, Editor : Dallas Puett, Co-Producer : Rebecca Spikings, Transportation Coordinator : Russell McEntyre, Camera Operator : Leo J. Napolitano, Sound Effects Editor : Adam Johnston, Camera Operator : Guillermo Rosas, Visual Effects Editor : Mark Eggenweiler, Standby Painter : Anthony Gaudio, Dialogue Editor : Patrick J. Foley, Executive Producer : Duncan Henderson, Music Editor : Will Kaplan, Assistant Art Director : David Sandefur, Visual Effects Supervisor : Craig A. Mumma, Associate Producer : Patrick Lynn, Additional Camera : Frederick Iannone, ADR & Dubbing : Hugh Waddell, Production Office Assistant : Jason D. McGatlin, Production Illustrator : Harald Belker, Set Decoration : Debra Echard, Stunts : Lesley Aletter, Casting Associate : Cassandra Kulukundis, Set Production Assistant : Jose Jimenez, Animation : Constance Bracewell, Visual Effects Editor : Lincoln Kupchak, Unit Production Manager : Todd Arnow, Set Costumer : Carrie Bauer, Additional Editing : Kevin Stitt, Post Production Supervisor : Ilyse A. Reutlinger, Editor : Derek Brechin, Sound Effects Editor : Jayme S. Parker, Foley : Kevin Bartnof, Visual Effects Supervisor : Jeffrey A. Okun, Script Supervisor : Portia Tickell, Camera Operator : Gregory J. Schmidt
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,

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